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TPH Tan Peng Hooi painter of Penang
TPH 1942 Tan Peng Hooi painter of Penang

Tan Peng Hooi is a Penang-born Malaysian painter known for evocative scenes of village life, harbour activity, festivals, wildlife, and the changing heritage landscape of Penang. A self-taught artist exhibiting since the 1960s, his works are held in public collections including the Penang State Art Gallery and Bank Negara Malaysia Museum and Art Gallery.

The colour and beauty of a Penang that was, kept in oil.

Opening page of the 1981 feature, with the headline, a portrait of the artist, and an oil painting of the Malacca river bank.

Reader's Digest, August 1981, page 40. The article opening, with a portrait of the artist. Reproduces Malacca River Bank, 1978, oil on canvas, 48 x 66 cm, Penang State Art Gallery.

Reproduces: Malacca River Bank (1978).

“I want to record a way of life that is disappearing.”

Tan Peng Hooi, recorded in Reader's Digest, August 1981

Tan Peng Hooi was born in Penang in 1942 and raised along the waterfront that fills so much of his work. He is largely self-taught as a painter, with an early grounding in drawing and commercial art, and began selling his oils as a young man.

He paints the countryside and the coast: fishermen and farmers, village and harbour life, festivals, birds, and the old heritage streets of the north. Water recurs throughout, worked with unusual patience; he composes in the studio from memory, using field studies only as a guide.

Running through all of it is a single purpose, recorded in his own words in 1981: to keep a way of life that was already disappearing.

From the 1981 feature

The feature that first framed him as the painter who preserves Malaysia’s past

In August 1981, a Reader’s Digest feature by Robert Kiener profiled Tan Peng Hooi and reproduced several of his paintings. The spreads are shown here as archival references while permission to publish the scans is arranged.

Magazine spread reproducing two oil paintings of farmers feeding ducks, alongside the article text.

Reader's Digest, August 1981. A feature spread reproducing two paintings, with the article's account of his working method.

Reproduces: Feeding Ducks No. 1 (c.1981), Feeding Ducks No. 2 (c.1981).

Magazine spread reproducing three paintings: frolicking pigeons, a study of sampans, and a fisherman in tumbling waves at sunset.

Reader's Digest, August 1981. A feature spread reproducing three paintings.

Reproduces: Frolicking Pigeons (c.1981), Sampans (c.1981), The Tumbling Waves (c.1981).

TPH

Image permission pending

Archival reference, permission pending Would show: Large oil painting of a busy historic Penang harbour with a pier, boats, people, and buildings in the background.

Featured work

Penang Scene

1970 · Oil · 91 x 147 cm

Bank Negara Malaysia Museum and Art Gallery

verified permission pending

Among the most frequently cited harbour works; proposed as the site’s featured painting once image rights are cleared.

View in the catalogue

A life in dates

Timeline

  1. 1942

    Born in Penang.

  2. 1966

    First solo exhibition, Penang Library.

  3. 1980

    An established exhibiting painter, profiled by Reader’s Digest the following year.

  4. 1998

    Penang State Art Gallery retrospective honour.

  5. 2009

    Monograph, The works of Tan Peng Hooi.

  6. 2024

    Mutiara Utara, Bank Negara Malaysia.

See the full timeline

The archive

An open record, offered for correction

This archive is a work in progress. Families, collectors, galleries and researchers are warmly invited to contribute records, correct details, or discuss image rights, so the account of his work grows more complete and more accurate over time.

Contribute or correct a record